Interviews get a boom and a lav, not a camera mic ‘for safety’. Safety is a second recorder, not a worse microphone.
Wild tracks and room tone are shot even when the day is stills-heavy. A future cutdown will need them.
Music is licensed for the territories in the contract. A temp track that cannot be bought is not a creative direction; it is a trap.
Mix happens with picture, on speakers that resemble the client’s world — a laptop and a television, not only a suite.
We deliver stems when versions will be recut. A printed mix alone is how a six-month-later social cut sounds like a different film.
We produce commercial photography and motion for brands and agencies. The still and the film are planned together so the campaign does not split in public. The studio in Brno holds a cyclorama, tabletop, and a colour desk. We travel in Europe with a core crew.